Fujifilm Fujinon XF 16-50mm F2.8-4.8 R LM WR Hands-on Review

Summary Verdict

The new Fujifilm XF 16-50mm F2.8-4.8 R LM WR looks and feels good. It facilitates fast autofocusing and aberrations appear to be kept in control well, although this needs to be verified with further testing.

Score: TBC

For

  • Small and light

  • Weather-sealed

  • Designed to match Fujifilm’s 40MP sensors

Against

  • The aperture ring doesn’t have setting marks

What is the Fujifilm Fujinon XF 16-50mm F2.8-4.8 R LM WR?

The Fujifilm Fujinon XF 16-50mm F2.8-4.8 R LM WR has the Fujifilm X mount and is designed to be used on the company’s X-series cameras such as the Fujifilm X-T5 and the new Fujiilm X-T50. It replaces the current Fujifilm XF 18-55mm F2.8-4 R LM OIS. It will be sold separately and in kits with various X-Series cameras, including the new Fujifilm X-T50 and the existing Fujifilm X-T5.

Fujifilm XF 16-50mm F2.8-4.8 R LM WR Price and Availability

The Fujifilm XF 16-50mm F2.8-4.8 R LM WR price is £699 / $699 / €799, and it will go on sale from 28th May 2024. It will also be sold with the Fujifilm X-T50, X-T5 and X-S20 in kits as follows:

With X-T50: £1649 / $1799 / €1899

With X-T5: £2049 / $2099 / 2399

With X-S20: £1599 / $1699 / €1599

These kits will be available from 28th May 2024.

Read our Fujifilm X-T50 Review

Fujifilm XF 16-50mm F2.8-4.8 R LM WR Specifications

  • Lens type: Standard zoom

  • Announced: 16th May 2024

  • Mount: Fujifilm X

  • Construction: 11 elements in 9 groups with 3 ED and 3 aspherical elements

  • Number of aperture blades: 9

  • Zoom mechanism: Internal

  • Focusing mechanism: Internal linear motor

  • Minimum focus distance: 24cm, giving 0.3x magnification

  • Weather sealed: at 13 points

  • Dimensions (WxHxD): 123.8 x 84 x4 8.8 mm

  • Weight: 240g

The Fujifilm XF 16-50mm F2.8-4.8 R LM WR weighs 240g, that’s 70g less than the XF 18-55mm F2.8-4 R LM OIS it replaces.

Features

As the Fujifilm XF 16-50mm F2.8-4.8 R LM WR is used on APS-C format cameras, it has an effective focal length of 24-76mm. This makes it an attractive option for every day, general photography.

The lens is constructed from 11 elements arranged in 9 groups with 3 ED (extra low dispersion) and 3 aspherical elements to keep size and weight down while maintaining image quality across the frame at all focal lengths.

Internal zoom and focusing mechanisms mean that the lens doesn’t change length when zooming or focusing, and there’s a 9-blade aperture.

Fujifilm has employed a linear focusing motor to deliver smooth, silent focusing and the closest focusing distance is 24cm from the sensor, at which the magnification is 0.3x.

Although the Fujifilm XF 16-50mm F2.8-4.8 R LM WR only weighs 240g, it is weather sealed.

Read our Fujifilm X-T5 review

The Fujifilm XF 16-50mm F2.8-4.8 R LM WR makes a nice, versatile kit with the Fujifilm X-T50 announced at the same time.

Build and Handling

The Fujifilm XF 16-50mm F2.8-4.8 R LM WR is a small, light lens that looks at home on a small camera like the Fujifilm X-T50 announced at the same time. It makes for a nice balanced set up and I would be happy to carry the camera and lens around without a strap for an hour or so.

When I wasn’t using the XF 16-50mm F2.8-4.8 R LM WR on the X-T50, I slipped the lens in my jacket pocket, ready to snap onto the camera when I needed it.

While the XF 16-50mm F2.8-4.8 R LM WR has an aperture ring, it doesn’t have marked settings, you simply rotate the ring one way or the other to adjust the value and there are no physical end points. It also has a switch that activates or deactivates the aperture ring. When the ring is deactivated, the aperture is either set automatically or via a command dial on the camera.

Zooming from the 16mm point to 50mm takes less than a quarter turn, and the action is smooth with just the right amount of effort required. The narrow facing ring also feels well made and has a pleasant feel when it rotated. Like the aperture ring, the adjustment is made electronically so there’s no fixed end points for manual focus adjustment.

It’s good to see a metal mount on the Fujifilm XF 16-50mm F2.8-4.8 R LM WR.

Performance

I used the Fujifilm XF 16-50mm F2.8-4.8 R LM WR on the X-T50 for a few hours ahead of their announcement on 16th May 2024 and they make a nice pairing. It was quickly apparent that the lens supports the T subject detection as the camera put boxes around various animals when they appeared in the frame with the system set to detect animals. When the animals were close enough for their eyes to be clearly visible, small boxes appeared around their eyes. The focusing system is also swift and silent.

I need to shoot a lot more images with the XF 16-50mm F2.8-4.8 R LM WR before this review is finalised, but on the basis of what I have seen so far it seems to keep flare under control and neither vignetting and chromatic aberration are a problem.

Fujifilm XF 16-50mm F2.8-4.8 R LM WR Sample Images

Image Credit: Angela Nicholson This image was captured using the X F16-50mm F2.8-4.8 R LM WR kit lens on the Fujifilm X-T50. Shooting at the 50mm point and at an aperture setting of f/4.8 has separated the flower from the background nicely.

Image Credit: Angela Nicholson There’s a pleasing level of detail captured in images using the Fujifilm XF 16-50mm F2.8-4.8 R LM WR.

Image Credit: Angela Nicholson The subject detection system detected the gorilla’s eyes and got the focusing spot-on here.

Image Credit: Angela Nicholson The closest focusing distance of the XF 16-50mm F2.8-4.8 R LM WR is 24cm. That’s close enough for framing-filing shots of small subjects.

Image Credit: Angela Nicholson There’s no sign of coloured fringing in this scene.

Image Credit: Angela Nicholson Vignetting (corner darkening) doesn’t appear to be a problem with the Fujifilm XF 16-50mm F2.8-4.8 R LM WR.

Early Verdict

So far, the Fujifilm XF 16-50mm F2.8-4.8 R LM WR seems like a good replacement for the existing Fujinon XF 18-55mm F2.8-4 R LM OIS. Paired with a 40MP sensor, it's capable of capturing a high level of detail and aberrations appear to be controlled well, although I will be investigating this further with more testing soon.


Angela Nicholson

Angela is the founder of SheClicks, a community for female photographers. She started reviewing cameras and photographic kit in early 2004 and since then she’s been Amateur Photographer’s Technical Editor and Head of Testing for Future Publishing’s extensive photography portfolio (Digital Camera, Professional Photography, NPhoto, PhotoPlus, Photography Week, Practical Photoshop, Digital Camera World and TechRadar). She now primarily writes reviews for SheClicks but does freelance work for other publications.

https://squeezymedia.com/
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